..."Expressionistic grace"" Anna Zlotovskaya...
Münchner Merkur, November 27 2001 ("Macbeth")

… A. Z. is a personified fate with the violin...
Süddeutsche Zeitung, November 28 2001 ("Macbeth")

A. Z. plays masterfully violin... She transferres her excitement and emotions to the audience.
Rheinische Post, July 5 2004 (Vivaldi "Four seasons")

The audience on Saturday was treated to a “royal plesure” performance... The comedic play about love, power and hot chocolate was beautifully staged by director A. Z.
Kölner Stadtanzeiger, August 2 2004 (Pergolesi "La serva padrona")

...As Anna Zlotovskaya danced to the composition, which featured several well-known melodies, her graceful steps were always perfectly in tune with the changing music. Sound, movement and images came together to create a highly expressive insight into the world of art.
Ratzinger Wochenblatt, Januar 2006 (Performance in the Oberschlesian National Museum)

The multifaceted way in which A. Z. used her instrument was particularly fascinating... On the program was Cesar Franck’s Sonata, one of the big beasts of Romantic chamber music, and it was interpreted by A. Z. with great sensitivity.
Kölner Stadtanzeiger, June 6, 2006 (Concert in Castel Eichholz)

...With a real fawner of Dalila´s aria from the opera "Samson und Dalila" a violinist (A. Z.) enchanted a lot of melodiousness. As she played Ottakar Novacek’s "Perpetuum mobile" her bow danced across the strings. And finally with a true classic hit like Jules Massenet’s romantic “Thaïs” - Meditation A.Z. conquered the hearts of the visitors.
Kölner Rundschau, June 3, 2006 (Concert in Castel Eichholz)

A very special pleasure für eyes and ears is expected from the Russian violinist A.Z.
Perchtoldsdorfer Rundschau, Österreich 05.07.2006 ("Don Quijote")

The violinist A.Z. reveled in a beautiful tone and soulful performance.
Kölner Stadtanzeiger, 03.05.2007 (Konzert im Musenhof e.V.)

Fairy violinist enchants Art space
Despite summer temperatures it sounds Vivaldi's "Winter" from the Four Seasons. A. Z. takes the violin and begins to play and move around the room. Some chairs form a circle in the middle, others are at the Wall. Like a ballerinas, she slips between the Metal sculptures by the sculptor Angelika Summa and plays on the hard contrasts behind the fence penned people on the island of Lampedusa, the Akimo immortalized in his pictures. A. Z. sits down like a fairy on a forest floor between three sense spheres from Summa, then energetic dance steps take her whirling around the room. She encourages the visitors to dance and moove with her, makes contact with Akimos with short pizzikati delicate frottage ... and finally, the music of Ysaye spheres rings out from her violin. The audience of art lovers is enchanted, calling performance "fantastic, magnificent, spellbindingly beautiful..." Hockenheimer Tageszeitung, 10.08.2009

Young but already international renowned artists were presented by the Society Gallery + Schloss in its Christmas concert in the sold out ballroom of the Grandhotel Schloss Bensberg.
The Russian violinist A. Z. performed with many nuances and pulled the audience under her spell with clear, swinging and swirling tones.
Kölner Stadt-Anzeiger, 17.12.09 (Konzert im Schloss Bensberg)

The Platin Scala celebrated their 20th anniversary last Saturday Jubilee.
It was almost reverently quiet when A. Z.touched her Violin. With the soulful and virtuoso interpretation of Jules Massenet "Meditation from Thais" the listeners in the fully occupied hall are entirely in her Spell. Die Platin Scala und der Heimat­verein feierten am vergangenen Samstag ihr 20-jähriges Jubiläum.
Unter den rund 600 Anwesenden in der Aula waren auch zahlreiche Ehrengäste vertreten...
Fast schon andächtig still wurde es, als A. Z. zur Violine griff. Ihre gefühlvolle und virtuose Interpretation des Jules-Massenet-Klassikers "Meditation aus Thais" zog die Hörer im voll besetzten Saal gänzlich in ihren Bann.
Siegerland Kurier 09.09.2009 (Konzert in Wenden)

With virtuoso pieces of romantic literature she (A.Z.) made the audience cheer, took every double grip with confidence and did not shy away from the fastest speed.
KSTA 03.01.2010 (Konzert im Rheinforum, Wesseling)

Anna Zlotovskaya delighted with the violin.
Another highlight of the evening was certainly the young one Russian violinist A.Z ... The meditation from the opera Thais by Jules Massenet she interpreted as masterly as the virtuoso Little Viennese March by Fritz Kreisler. The audience applauded with cheers to the Csardas by Vittorio Monti as well as to the Gypsy Airs of Sarasate Zlotovskaya playing and dancing through the auditorium.
Kölnische Rundschau 03.01.2010 (Konzert im Rheinforum, Wesseling)

Art meets art - tensionfull perfofmance.
Anna Zlotovskaya plays Vivaldi to pictures by HA Schult.
The pictures of the trash people on their stops around the world projected onto the large screen with Vivaldi in addition, played by A. Z., made a very special atmosphere. It crackled in the fully occupied hall. Art mooved with Art, Music met Sculptur.
Westphalian News July 18, 2011 (A picture concert in the Bürgerhaus, Telgte)